Wednesday, October 18, 2017

LSSL 5385 Textbook Reflections Chapters 6-10

Chapter 6 – How Adolescents Develop
  • ·         Physical – puberty

o   Am I normal?
o   Struggle with changes going on within themselves.
o   Physical reality gets in the way
  • ·         Intellectual

o   Piaget – progress stages
o   In the 70s, it was taught that students move from concrete to abstract at the age of 10.
o   It is now recognized that students move from concrete to abstract closer to 14.
o   If questions are abstract, we need to scaffold for our students.
  • ·         Havighurst – developmental stages

o   Learn to get along with peers
o   Work for pay
o   Changing relationships with parents
o   Develop morals and values
o   Adapt to physical bodies
o   Changing relationships with peers of the opposite sex
o   Appropriate sex roles
  • ·         Kohlberg’s Theory

o   Pre-conventional – behavior reverts when reward and punishment is removed
o   Conventional – follow rules and laws because it is right
o   Post-conventional – will violate rules and laws for human rights – civil disobedience
  • ·         Maslow Pyramid – needs hierarchy

o   Physiological
o   Safety
o   Love and belonging
o   Esteem
o   Self-actualization
  • ·         Birthday Cake Theory

o   Unconscious delight  - get lost in books, usually in a series or with serial reading
o   Autobiographical – read about people like ourselves, book as mirrors
o   Vicarious experiences – windows out, fantasy
o   Philosophical speculation – sometimes nonfiction
o   Aesthetic experiences – reading for the pure enjoyment and experience of reading, emotional attachment


Reflection
This chapter really took me back to my college days. I recognized many of the names and theories from my course work. As a librarian, it will be our responsibility to help address students’ changing needs as they are growing physically, intellectually, and emotionally. There are some books that our younger students just aren’t developmentally ready for yet. I remember when I was in elementary school, you were not allowed to check out Are You There God? It’s Me Margaret until fourth grade. It was like a rite of passage finally being able to check it out and find out what all the fuss was about. Due to flood damages, our 6th grade students are currently attending school at the junior high, which is normally 7th and 8th grade only. Due to a difference in the types of books offered in their library, we have had to create a special section for our 6th graders.



Chapter 7 – Literary Elements & Devices
  • Antagonist- the character that stands in opposition of the protagonist, or main character, often referred to as a villain, used to bring about conflict
  • Character- person, animal, or figure that serves an important purpose to a story
  • Conflict- a struggle between two opposing forces; often between a protagonist and antagonist; there is both internal and external conflict
  • Mood – evokes feelings within the reader through words and descriptions; atmosphere or emotional situation
  • Tone – the attitude the author has towards a subject or an audience; conveyed through word choice
  • Plot – the events that make up a story; the foundation of a story; there are 5 main parts: exposition, rising action, climax, falling action, and resolution
  • Protagonist – the central character or leading character in a story; often referred to as the hero
  • Setting – environment where a story takes place; three major components; social environment, place and time
  • Themes – the main idea or meaning of a literary work; it can be directly or indirectly stated
  • Allegory - abstract ideas and principles are described in terms of characters, figures and events
  • Allusion – a brief, often indirect reference to a person, place, thing or idea that has historical, cultural, literary or political significance
  • Archetype - a typical character, action or a situation that seems to represent universal patterns of human nature – gives literary work a universal acceptance  – example: heros exibit goodness and fight against evil
  • Deus ex Machine - an implausible concept or a divine character is introduced into a storyline for the purpose of resolving its conflict and procuring an interesting outcome – considered an ill-constructed plot – brings about a solution to an otherwise unsolvable problem
  • Hyperbole – an unreal exaggeration for the sake of emphasis – does not compare – example: It has been a million years since I’ve went to the movies!
  • Imagery – represents objects, actions, and ideas in a way that it appeals to our physical senses – creates a mental picture – helps the reader envision the characters and scene more clearly
  • Metaphor - an implicit, implied, or hidden comparison between two unlike things - you portray a person, place, thing, or an action as being something else – example: His voice was music to my ears.
  • Motif - an image, sound, action or other figures that have a symbolic significance and contributes toward the development of theme – helps explain and reinforce the central idea
  • Point of View - the angle or mode of narration that lets the readers “hear” and “see” what takes place in a story – who is telling the story – first, second, or third person
  • Simile – makes a comparison between two unlike things using the words “like” or “as” – example: His smile was as bright as the sun.
  • Symbolism – the use of symbols to signify ideas and qualities – an object represents another object – example: a dove is the symbol of peace


Reflection
Writing these definitions reminded me of being a first year teacher. Going into a 6th grade ELAR class, I had little recollection of these literary terms. I remember spending countless hours that first year studying so that I would understand what I was teaching to my students. Of all of these, the figurative language terms and plot terms stand out the most. Those are the ones that we work with more frequently in my classroom. When reading My Life in Dog Years, I would give my students sticky notes to flag the figurative language that they found in each chapter. The students turned it into a competition to see who could find the most. Without having a strong understanding of the definitions, they wouldn’t be successful in discovering it in the passages. I always stress the importance of knowing vocabulary, and like to use interactive notebooks to have my students record their vocabulary terms. I usually like to post the terms on a word wall as well so that we can refer back to them throughout the year. It is important for students to understand literary elements and devices in their reading.



Chapter 8 – Awards

Printz – This award for works that exemplify literary excellence in young adult literature.

YALSA Excellence in Nonfiction – YALSA honors the best nonfiction book published for young adults (ages 12-18) during a Nov. 1 – Oct. 31 publishing year.

Great Graphic Novels for Teens – This is a list of recommended graphic novels and illustrated nonfiction for those ages 12-18 and it is prepared yearly by YALSA.

Best Fiction for Young Adults - YALSA’s Best Fiction for Young Adults Committee presents fiction titles published for young adults in the past 16 months that are recommended reading for ages 12 to 18. The purpose of the annual list it to provide librarians and library workers with a resource to use for collection development and reader’s advisory purposes.

Margaret A. Edwards Award – This award was established in 1988, and honors an author, as well as a specific body of his or her work, for significant and lasting contribution to young adult literature. The annual award is administered by YALSA and sponsored by School Library Journal It recognizes an author’s work in helping adolescents become aware of themselves and addressing questions about their role and importance in relationships, society, and in the world.

ALEX Award - The Alex Awards are given to ten books written for adults that have a special appeal to young adults, ages 12 through 18. Please note that the winning titles are selected from the previous year’s publishing.

Odyssey Award - This annual award will be given to the producer of the best audiobook produced for children and/or young adults, available in English in the United States.

Morris Award – The Morris Award honors a debut book published by a first-time author writing for teens and celebrating impressive new voices in young adult literature.

Outstanding Books for the College Bound - These books offer opportunities to discover new ideas, and introduce the fascinating variety of subjects within an academic discipline. Readers will gain an understanding of our diverse world and build a foundation to deepen their response to that world. This list is developed every five years.

Popular Paperbacks - Each year, the Popular Paperbacks committee creates lists of books to encourage young adults to read for pleasure. The lists of popular or topical titles are widely available in paperback and represent a broad variety of accessible themes and genres.

Quick Picks for Reluctant Readers – This list identifies titles aimed at encouraging reading among teens who dislike reading for whatever reason. The list selects both fiction and nonfiction.

Readers’ Choice - YALSA’s Readers’ Choice list seeks to engage a wide audience of librarians, educators, teens and young adult literature enthusiasts in choosing the most popular teen titles in a given year, as organized by broad genres.  The list will also provide librarians with a timely means of identifying popular teen titles on an ongoing basis.

Teens Top Ten – This is a “teen choice” list, where teens nominate and choose their favorite books of the previous year! Nominators are members of teen book groups in fifteen school and public libraries around the country.

Amazing Audiobooks - YALSA’s Amazing Audiobooks committee selects and annotates an annual list of notable audio recordings significant to young adults from those released in the past two years.

YA Choices - Since 1986, the Young Adults’ Choices project has developed an annual list of new books that will encourage adolescents to read. The books are selected by the readers themselves, so they are bound to be popular with middle and secondary school students. The reading list is a trusted source of book recommendations, used by adolescents, their parents, teachers, and librarians.

Lone Star Reading List - The Texas Lone Star list is a recommended reading list developed by public and school librarians from the Young Adult Round Table. The purpose of the list is to encourage students in grades 6, 7, or 8 to explore a variety of current books. The Lone Star list is intended for recreational reading, not to support a specific curriculum.

TAYSHAS Reading List - The object of the Tayshas project is to motivate young adults to become lifelong readers and to participate in the community of readers in Texas. The Tayshas High School Reading List Committee coordinates activities associated with the Tayshas program, a reading incentive program designed for young adults in Texas, grades 9-12, who are encouraged to read books for pleasure from a selected reading list prepared by the Tayshas Committee.

Maverick Reading List - The Texas Maverick Graphic Novels Reading List (TMGNRL) is a recommended reading list developed by public and school librarians from the Young Adult Round Table (YART). The purpose of the list is to encourage students in grades 6-12 to explore a variety of current books. The TMGNRL list is intended for recreational reading, not to support a specific curriculum.

Edgar Award for Mystery - This is an award presented by the Mystery Writers of America and is seen as the most prestige award to be given to writers of mystery suspense and crime.

NCTE Award for Excellence in Poetry for Children - NCTE established the Award for Excellence in Poetry for Children in 1977 to honor a living American poet for his or her aggregate work for children ages 3–13. NCTE also recognizes and fosters excellence in children’s poetry by encouraging its publication and by exploring ways to acquaint teachers and children with poetry through such means as publications, programs, and displays. 

Orbis Pictus - The award was established in 1989 to promote and recognize excellence in the writing of nonfiction for children.

Batchelder Award - The Batchelder Award is given to the most outstanding children’s book originally published in a language other than English in a country other than the United States, and subsequently translated into English for publication in the United States.

Scott O’Dell Award for Historical Fiction - The Scott O’Dell award was established to encourage other writers–particularly new authors–to focus on historical fiction. It was O’Dell hope that this was a way to increase the interest of young readers in the historical background that has helped to shape their country and their world.

Pura Belpre Award - The Pura Belpré Award, established in 1996, is presented annually to a Latino/Latina writer and illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth.

Schneider Family Award - The Schneider Family Book Awards honor an author or illustrator for a book that embodies an artistic expression of the disability experience for child and adolescent audiences.

Sibert Award - The Robert F. Sibert Informational Book Medal is awarded annually to the author(s) and illustrator(s) of the most distinguished informational book published in the United States in English during the preceding year. 

Stonewall Award - The first and most enduring award for GLBT books is the Stonewall Book Awards, sponsored by the American Library Association’s Gay, Lesbian, Bisexual, and Transgender Round Table.


Reflection

I am amazed at the variety of book awards available. Growing up, I only remember hearing about Caldecott, Newberry, and Blue Bonnet. I know that the list of book awards is growing, and that could account for some of that. I like that some of the awards listed are actually top choices chosen by the reading group, such as Teen Top Choice. I think it is great that young people are given a voice in what books matter to them. As a librarian it is our responsibility to recommend books for students. It is nice to have such a variety of book lists to steer students towards. There are lists that cater to the diverse population of students that we will service. I believe that by having awards that are specific to certain groups such as GLBT and Latinos, it allows students to easily find books that are relatable to them. Since I had such a limited knowledge of book awards before taking LSSL courses, I have a lot to learn to prepare me for my future as a librarian. I appreciate that our required reading includes many of the books that appear on these lists. It helps me to become familiar with books that I might otherwise not read.




Chapter 9 – Poetry

  • ·         Poetry is a form, not a genre.
  • ·         Students often have a negative view of poetry because they do not enjoy having to pick it apart to analyze it.
  • ·         Kids prefer narrative poetry – it is similar the stories that they are used to reading
  • ·         Kids dislike free verse and haikus the most. They enjoy writing haiku more than reading it. They do not like the lack of rhyme in free verse.
  • ·         They like sound devices such as onomatopoeia, alliteration, and tongue twisters.
  • ·         Imagery and visual words are important because they allow students’ imagination to expand.
  • ·         Poems do not have to be brought down to a child’s level.
  • ·         They enjoy funny poems such as Shel Silverstein.
  • ·         Poems that lend themselves to interaction and repeated readings are favorable.
  • ·         Kids enjoy concrete poems.
  • ·         Poetry can lead to teachable moments.
  • ·         NCTE Award – given to a poet for the body of work they have produced, was previously given every three years and now it is every year

Reflection

I guess I am one of the odd people that loved poetry as a child. I have fond memories of the poems that my teachers shared throughout elementary school. In kindergarten, our graduation ceremony consisted of us reciting nursery rhymes that we had memorized. I remember how proud I felt standing in front of all the parents reciting my nursery rhyme My 2nd grade teacher introduced us to the world of Shel Silverstein.  We were always eager for her to read a new poem to us. Each day we would all rush to be the first one finished with our work so we could read Light in the Attic or Where the Sidewalk Ends. One of my favorite assignments in college was in a writing class. We had to write 3 poems and a creatively display them. I was so proud of my gingerbread man poem. I wrote the poem on a large foam gingerbread man and glued it to a disposable baking sheet. As a teacher, I have always enjoyed sharing poetry with my students. Some of my favorite poems to share are metaphor poems and inferencing poems. The students always love guessing what the poem is describing. I also always love reading The Walrus and the Carpenter with my class for narrative poetry. We are currently on our poetry unit, and I always have a few students that are still shocked that poems do not have to rhyme. This week they have been working on I Am poems and I have been impressed by the thought that many of the students have put into their work. I always enjoy reading these poems because I feel like it gives me a little insight into my students.



Chapter 10 – Historical Fiction

Historical fiction is a story that is set in the past. The age of the reader can affect what one views as historical. Young students view history as things that happened earlier in the day. Older students see history as being when they were younger, and adults often view history as events that happened before they were born. Because of these discrepancies, you must be careful when deciding what books belong in the historical fiction section.

Criteria for Evaluating Historical Fiction for Children
  1. Does the book tell a good story that effortlessly blends the history in the story itself?
  2. Are the facts of the historical period accurate? Reviews are an excellent source to verify authenticity.
  3. How are the values of the time brought to life?  Readers need to see that time periods might have valued some things differently from contemporary times.   
  4. Is everything consistent with the social milieu?  Details such as clothing, architecture, and speech patterns should reflect the historical time period.
  5. Does the theme of the story relate to contemporary readers? The theme should be universal.

Reflection


If you would have asked me a few years ago, I would have told you that I hate historical fiction. History was always one of my least favorite subjects, so I always thought I would hate any historical book. I didn’t even realize that many of the books that I enjoy and share with my class are actually historical. The Watson’s Go to Birmingham is always one of my students’ favorite books. In fact, we will begin reading it this week. It always leads to conversations about the time period and what influenced the events in the book. We also enjoy reading Sadako and the Thousand Paper Cranes and Number the Stars. The students are much more engaged learning about these historical events through the conversations sparked by these books. My first year teaching, I decided to read The Man Who Walked Between the Towers for September 11th. It never occurred to me that my students wouldn’t really know September 11th. I had taken it for granted that they were familiar with it because it doesn’t feel historic to me. I remember the day vividly, yet my students at the time were only toddlers. It was definitely a learning experience and every year since then, I have taken the time to have conversations beforehand to make sure they have some background knowledge. 

LSSL 5385 Textbook Reflections Chapters 1-5

Chapter 1 – Why Share Literature:
  •  It is fun!
  •  It helps the acquisition of language and language development.
  • It develops empathy.
  • It supports lifelong readers.
  • It develops imagination.
  • It helps transmit culture.

I love getting new books to share with my students. I recently purchased several new picture books to participate in #classroombookaday. I got excited every time UPS delivered another package of books. I always like to share books with my students that help build empathy, such as Wonder. Our reading department also likes to do novel studies over books that help students understand other cultures, such as A Long Walk to Water and Iqbal. Many of my students come into 6th grade with little interest in reading. It is always my goal to help my students discover a love of reading.



Chapter 2 - Divisions of Young Peoples Literature:
  •  Children’s Literature 0-8 years old

o   This includes
§  wordless picture books
§  picture books
§  easy readers
§  illustrated children’s books
§  some novels such as Ramona Quimby, Charlotte’s Web, and Because of Winn-Dixie
  • ·         Middle Grade/Tween 8-12 years old

o   Books such as Roller Girl, Raymie Nightingale, and The Thing About Jellyfish
  • ·         Middle School 11-13

o   These books may cover tougher issues such as
§  Romance
§  LGBTQ
§  Abuse
o   Some examples include Drama and Okay for Now
  • ·         Young Adult 13-18 years old

o   The subject matter can make these books inappropriate for middle school students
§  Firsts
§  Sex
§  Language
  • ·         New Adult 18-30 years old

o   New category started in 2009
o   Explores issues such as
§  College experiences
§  Relationships
§  Adult issues with young characters lacking adult supervision
o   Some examples include Sweet Home, This is Falling, and November 9


I feel that it is especially important to pay attention to that middle school age group. I teach 6th grade and have selected books for my classroom library based on suggested age, only to discover later that content was not age appropriate. It is a difficult age group to select books for because they want to transition to “older” books, but the content is often too mature for them.



Chapter 3: Anatomy of a Book
  • ·         Endpapers

o   2 sheets at the beginning and end of the book
  • ·         Casewrap

o   The part under the book jacket on a hard cover book
  • ·         Book Block

o   The main text or body of the book
  • ·         Gutter

o   The blank space (inner margin) that separates the printing area from the binding
  • ·         Headband

o   The small, decorative strip used on case bound books
o   It fills the gap between the spine and cover
  • ·         Backbone

o   The back of a bound book that connects the front and back cover
o   Spine

It was interesting to see the anatomy of books. I had never heard the actual name of many of the parts, or even realized that there was an official name.



Chapter 4: Genres and Formats

There are 2 main genres: Fiction and Nonfiction
  • ·         Fiction

o   Realism
§  Realistic: modern contemporary
§  Historical
o   Fantasy
§  Modern
·         Science Fiction (high and low)
·         High Fantasy (worlds created, such as Lord of the Rings)
·         Low Fantasy (more down to Earth)
§  Traditionsl
·         Fables
·         Ballads
·         Myths
·         Legends
·         Folktales
·         Fairytales
  • ·         Nonfiction

o   Informational
§  Expository
§  Narrative Nonfiction
§  Biography, Autobiography, Memoir
  • ·         Subjects and Categories (not genres)

o   Mystery
o   Horror
o   Sports Fiction
o   Action/Adventure
o   Dystopia
o   Chick Lit
  • ·         Formats

o   Poetry
o   Drama
o   Novels
o   Chapter Books
o   Graphic Novels
o   Picture Books

I found it interesting that some libraries claim that circulation improves after genrifying the library.  I can see how it would help students find books that they are most interested in. In my classroom, I have thought about creating a sports section just because so many boys are only interested in those novels. However, I can also see how it would be intimidating for boys to select books that are in the Chick Lit section of the library. It can also make it difficult to find books because students and librarians do not always think the same way as far as which section a book belongs in. Some books could possibly fit in multiple sections, making it difficult for students to locate certain books. In our school library, she has a section for books that have been made into movies. I sometimes forget about that section when trying to help students find books. Also, since there are student library helpers, there are times when they forget to put those books in the special section, which leaves us having to search both locations.  
This summer I searched Teachers Pay Teachers for genre posters to hang in my classroom. It was a difficult task because the majority of them listed categories and formats as genres. One set that I looked at included horror and humor as genres. They even had graphic novels listed as a genre. In reading this chapter, I was surprised to learn that poetry and drama were not considered genres. I had always considered them to be, largely because even the commercially available poster sets list them as genres. I am already thinking about how to rearrange my posters to better show the students the genres and subgenres.



Chapter 5: What is YA Literature?
Mertz & England 1983
  • Youthful protagonist
  • Point of View of adolescent interpretation
  • Directness of exposition and direct confrontation
  • Significant change in the life of the main character
  • Highly independent protagonist
  • Shows gradual and incremental change – incomplete growth of the main characters
  • Mirrors concerns over contemporary issues
  • Main character reaps consequences of decisions and actions Brief time period, limited setting, few fully developed characters
  • Sense of how adolescents develop



When I think of most young adult novels that I have read, I can see where they fit the criteria in this list. Many of the books center around a young woman that is just learning to navigate the world. Often it is about the beginning of a new relationship that is different and exciting. 

Thursday, July 27, 2017

The Graveyard Book



Bibliography

Gaiman, Neil. The Graveyard Book. Ill. Dave McKean. New York, NY: Harper Collins Publishers, 2008.  ISBN 978006053092.

Plot Summary

When 1 ½ year old Bod’s family is brutally murdered, he somehow manages to escape and find refuge in a graveyard. At first the ghosts are unsure what to do with the baby, but eventually decide that Mr. and Mrs. Owens will act as his mom and dad. Silas is named his guardian and charged with ensuring he has food and clothing. Although Bod is safe in the graveyard, danger awaits him when he leaves. Jack, the man that murdered his family, is still searching for Bod so that he can finish the job. As Bod grows up, he finds many adventures both in and out of the graveyard. In the end, he is able to conquer Jack and secure safety for himself. He sets out to make a life for himself beyond the graveyard.

Critical Analysis

The reader is able to watch Bod grow throughout the book. You watch him make mistakes and develop an understanding for this unusual boy that lives in a graveyard. Growing up without human interaction, you can understand his awkwardness when he goes to school.

The author does an excellent job at showing the personality of the graveyard residents. The residents are likeable and have interesting backstories that explain how they ended up in the graveyard.

The black and gray toned illustrations help set the spooky mood for the graveyard. I feel that the ominous first page does an excellent job setting the tone for this novel.  “There was a hand in the darkness, and it held a knife.” With so few words, the author has already captured your attention and has you eager to learn more.  

Awards

2009 Newbery Medal

2009 Hugo Award

Review Excerpts

Horn Book:  “Lucid, evocative prose and dark fairy-tale motifs imbue the story with a dreamlike quality. …this ghost-story-cum-coming-of-age-novel as readable as it is accomplished.”

Booklist starred review: “This is an utterly captivating tale that is cleverly told through an entertaining cast of ghostly characters. There is plenty of darkness, but the novel’s ultimate message is strong and life affirming….this is a rich story with broad appeal.”

Connections

*Have students read and practice writing epitaphs.

*Other books written by Neil Gaiman:

·         Gaiman, Neil. Coraline. ISBN 0380807343
Gaiman, Neil. Fortunately, the Milk. ISBN 0062224085

Babymouse: Queen of the World!




Bibliography

Holm, Jennifer L. and Matthew Holm. Babymouse: Queen of the World! New York, NY: Random House Children’s Books, 2005. ISBN: 978-0-375-83229-1.

Plot

Babymouse’s middle school experience isn’t living up to her dreams of being queen of the world. She just knows that if she can secure an invitation to Felicia Furrypaw’s party, her life will change and everyone will see how wonderful she is. However, once she gets to the party, she realizes that the popular crowd isn’t everything she thought they would be. She leaves the party and goes to hang out with her friend, Wilson. She realizes that she is already queen of the world, because she has everything she needs.

Critical Analysis

This graphic novel is a quick read and features simple illustrations that capture the character’s emotions perfectly. When Babymouse’s imagination is at work, the illustrations feature a lot of pink. This helps the reader differentiate these daydreaming sequences from the black and white real world. The book relies heavily on the illustrations to tell the story. The few words are dialogue or sound effects.

The book addresses many issues that middles school aged kids face. Babymouse is faced with the dilemma of cheating when Felicia Furrypaws asks for her homework. She also struggles with wanting to fit in and be accepted by the popular crowd. In the end, Babymouse discovers that she needs to stay true to herself and that the grass isn’t always greener on the other side.



Review Excerpts

Horn Book starred review:  "Nobody puts Babymouse in the corner!"

Booklist: “The Holms spruce up some well-trod ground with breathless pacing and clever flights of Babymouse's imagination, and their manic, pink-toned illustrations of Babymouse and her cohorts vigorously reflect the internal life of any million-ideas-a-minute middle-school student.”

Connections

*Students can explore the Babymouse website.


*Other books in the Babymouse series:

·         Holm, Jennifer L. and Matthew Holm. Babymouse: Our Hero! ISBN 0975832300

·         Holm, Jennifer L. and Matthew Holm. Babymouse: Beach Babe! ISBN 978-0375832314

·         Holm, Jennifer L. and Matthew Holm. Babymouse: Rockstar! ISBN 978-0375832321

Flora & Ulysses



Bibliography

DiCamillo, Kate.  Flora & Ulysses: The Illuminated Adventures. Somerville, Massachusetts: Candlewick Press, 2013.  ISBN 9780763660406.

Plot

Flora is a self-proclaimed cynic and an avid comic reader. Her world is turned upside down with she befriends a squirrel after rescuing him from a vacuum cleaner. He comes out of the vacuum a changed squirrel, and Flora names him Ulysses after discovering that he is a super hero. He can understand Flora, type poetry, and fly. Through her adventures with Ulysses, she is able to navigate her parents’ divorce and her troubled relationship with her mom.

Critical Analysis

This book is written in a style that seems half comic, half novel. Flora describes situations as if she were reading a comic book. This creates a very entertaining read for all ages. Flora’s love of comics is honored through the illustrations. The reader is engulfed in this world where squirrels are super heroes.

Readers can relate to the struggles that Flora faces in the book. She is trying to come to terms with her parents’ divorce. She is also trying to navigate a difficult relationship with her mother. She just doesn’t feel like her mom understands her. All families have struggles, but readers are able to see that her mom loves her, despite their conflicts. In the end, readers will delight at seeing their bond strengthened.

Flora believes that things never go as planned and has lost hope. As her friendship grows, you can see Flora transform. Through her friendship with Ulysses, she is able to discover another side of herself that she didn’t realize was there before. By developing a genuine friendship with him, she becomes less cynical.

Awards

2014 Newbery Honor

Review Excerpts

Kirkus Reviews starred review:  "Original, touching and oh-so-funny tale starring an endearingly implausible superhero and a not-so-cynical girl."

Booklist: “Newbery winner DiCamillo is a master storyteller, and not just because she creates characters who dance off the pages and plots, whether epic or small, that never fail to engage and delight readers. Her biggest strength is exposing the truths that open and heal the human heart. She believes in possibilities and forgiveness and teaches her audience that the salt of life can be cut with the right measure of love.”

Connections

*Students can write and illustrate a comic.



*Other books by Kate DiCamillo:

·         DiCamillo, Kate. The Miraculous Journey of Edward Tulane. ISBN 0763680907

·         DiCamillo, Kate. Because of Winn-Dixie. ISBN 0763680869

·         DiCamillo, Kate. The Tale of Despereaux. ISBN 0763680893

El Deafo



Bibliography

Bell, Cece. El Deafo. New York: Amulet Books, 2014. ISBN 978-1-4197-1217-3.

Plot

When Cece is four, she contracts meningitis which leaves her unable to hear afterwards. While she likes her small hearing aids, she struggles with accepting the bulky, more powerful hearing aid that she must wear at school. She begins to imagine herself as having super powers and names her super hero persona El Deafo. Some kids treat her differently because of her hearing aid, so she struggles to navigate the social aspects of school and to find just the right friend. Once she starts to understand herself better, she is able to accept herself and make friends.

Critical Analysis

This was my first graphic novel to read, and I thoroughly enjoyed it. The characters are portrayed as rabbits. The colorful, detailed illustrations really help bring this book together. The illustrations helped to tell more of the story than just the words alone could have. The dialogue is realistic and age appropriate.

This story is told from Cece’s perspective, which allows the reader to gain a deeper understanding of people with disabilities. Children can relate to Cece in her struggle to fit in and make friends. Children with disabilities can relate to her wanting people to see her for who she is and not as the girl with a hearing aid. This novel is autobiographical and chronicles the author’s journey towards self acceptance.

Awards

2015 Newbery Honor

Review Excerpts

Publishers Weekly starred review:  "A standout autobiography. Someone readers will enjoy getting to know.”

School Library Journal: “This warmly and humorously illustrated full-color graphic novel set in the suburban '70s has all the gripping characters and inflated melodrama of late childhood: a crush on a neighborhood boy, the bossy friend, the too-sensitive-to-her-Deafness friend, and the perfect friend, scared away.”

Connections

*Students can learn more about American Sign Language.

*This book lends itself to discussions about friendship and acceptance.



*Other graphic novels:

·         Libenson, Terri. Invisible Emmie ISBN 978-0062484932

·         Chmakova, Svetlana. Awkward. ISBN 978-0316381307

·         Telgemeier, Raina. Smile. ISBN 0545132060

Thursday, July 20, 2017

Turtle in Paradise



Bibliography

Holm, Jennifer L. Turtle in Paradise. New York, NY: Random House Children’s Books, 2010.  ISBN 9780375836886.

Plot Summary

Turtle in Paradise is set during the 1930s when both jobs and money were scarce. Turtle’s single mom is a housekeeper. When she gets a new job working for a lady that hates children, Turtle is sent to live in Key West, Florida with relatives that she has never met. The shy Turtle doesn’t quite know how to react to her grandmother and mischievous group of cousins. She eventually begins to come out of her shell. The book is full of humor and adventure, and even some pirate treasure.

Critical Analysis

The book highlights the hardships a single mother would have faced during the Great Depression. Turtle is witty and smart and many young girls can relate to her. The author mixes humorous dialogue and historical details to describe the everyday life of Turtle and her family. The theme of family is a pivotal part of the book.

Famous child actresses such as Shirley Temple and Little Orphan Annie are referenced. The author also included details from a real storm that hit Key West in 1935. In the author’s note at the end, she explains where she got many of the characters from. She also explains the historical details that are found in the book. There are also picture of Key West and the people that inspired many of the characters. This helps the reader understand what life was like for Turtle and others in Key West during the Great Depression.

Awards

2011 Newbery Honor Book

Review Excerpts

School Library Journal:  “This richly detailed novel was inspired by Holm's great-grandmother's stories. Readers who enjoy melodic, humorous tales of the past won't want to miss it.”

Booklist: “Holm uses family stories as the basis for this tale, part romp, part steely-eyed look at the Depression era. Reminiscent of Addie in the movie Paper Moon, Turtle is just the right mixture of knowingness and hope; the plot is a hilarious blend of family dramas seasoned with a dollop of adventure.”

Connections

*Students can research the Great Depression.

*Other books set during the Great Depression:

·         Curtis, Christopher Paul. Bud, Not Buddy. ISBN 978-0553494105

·         Taylor, Mildred D. Roll of Thunder, Hear My Cry. ISBN 978-0142401125

Final Reflection

As the semester comes to a close, and I reflect on all the things that I have learned in this course, I am excited to bring everything I...